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Tuesday, February 26, 2013

Debus Art from Banten Indonesia


After saying the mantra "you touch my skin haram, haram you drink my blood, you are forbidden to eat flesh, veins kawang, Wesi bones, skin of steel, I come out of the womb of the mother. I say la ilaha illahu ". So at that moment he thrust the dagger into the thighs, arms, stomach and other body parts. At the time of the attraction he also grabbed a small child's neck as he drew his machete to the child. Strangely former machete strike has nothing left wounds that are very harmful to the child.
Places are extremely dangerous we commonly know as Debus, Debus said the martial arts came from the al Madad. The longer this martial art growing and growing in all societies as the art of entertainment offerings for the community. The core is still very strong performances or martial arts movements and use of weapons. Debus arts offerings are widely used and focuses on a person's immune players against sharp objects, and sort of sharp weapon is called a whistle.


[Navigasi.net] Culture - Debus Banten


Art has grown and evolved since hundreds of years ago, along with the development of Islamic religion in Banten. In awalna this art has the function as the spread of religion, but in the Dutch colonial period and during the reign of Sultan Agung Tirtayasa. Martial arts are used to evoke the spirit of the warrior and the people who made offerings against Dutch colonialism. Because at that time the power is not balanced, the Dutch have a very complete weapons and sophisticated. Continue to urge fighters and folk offerings, the only weapons they have none other than martial arts heritage that whistle, and they fought a guerrilla.
Debus in Arabic which means sharp weapons made of iron, has a pointy end and a slightly rounded shape. With this tool Debus injured players, and usually can not be penetrated even Debus was beaten many times by others. Places attraction body immunity is another variation that is showcased whistle. Among other things, stabbing the stomach with a sharp object or a spear, slicing the body with a machete until the injured and uninjured, eat fire, insert a long needle into the tongue, skin, cheeks until translucent and not injured. Slicing limbs to wounded and bleeding but can be cured at once, flush the body with hard water to the clothes on the body crushed, chewed glass / glass flake, burn the body. And many more attractions that they do.


[Navigasi.net] Culture - Debus Banten


In doing this attraction every player has the requisite conditions are severe, they perform a ritual before performing rituals given by their teachers. Usually done 1-2 weeks before the ritual performed. In addition, they are also required to have a strong faith and should be confident with the teachings of Islam. Precepts for whistle players are not allowed to drink alcohol, gambling, playing a woman, or steal. And the players also need to be sure and do not hesitate in carrying out the action, the violations committed by a player can be very threatening player.
According to some historical sources, Debus has a relationship with the congregation in the teachings of Islam. Its core philosophy is deeply religious, they are in a very excited because face to face with god. They slammed their sharp object into the body, there is no effort but for Allah's sake. If God does not allow knives, machetes and bullets hurt them. And they will not get hurt.
At this time many warriors living in the village whistle Walantaka, District Walantaka, Serang. Which is unfortunate presence diminished the longer the whistle, because the youth prefer to seek another livelihood. And because the attraction is also quite dangerous to do, because it is not uncommon that many players Debus harmed by lack of exercise and there are "ignorant" to show they are doing. So the longer the cultural heritage is getting extinct. Previously, we could see the attraction of this whistle offerings in many areas, but now has to whistle only when the event - a particular event. So not every day we can see the attraction. Cultural heritage, which is increasingly eroded by the changing times.

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